12/8/2022 0 Comments Definition animationist![]() ![]() The fact that Shrek digs out ear-wax on-screen to use as a candle or scratches his butt reveals how unashamed he is of his personal habits on display for an invisible audience to witness.ĭespite being mainly as gross-out humor in Shrek‘s context, it also reinforces the idea that the character of Shrek, though in the form of an ogre, does the same things that a normal human being would do, even if they may include using the toilet or passing gas at random points. Lastly, while Shrek carries a big presence in his frame, there is a roundness to his body as well (complete with a pot-belly) to illustrate in its own way on-screen that Shrek is a sympathetic main character and not a threatening monster despite his size.Īs for Shrek’s body language, there are many moments within his film that capture his personality from the way he moves to the way he twists his face around to form expressions. In addition, a “leather vest” became part of Shrek’s look, symbolizing the rough edges of his personality and defensiveness towards others. The only bright color found on the film character is his acid green skin. The clothing colors given to Shrek are also different from the more colorful book character since they’re in dull earthy tones for Shrek’s lack of cleanliness. Cover of the book Shrek by William Steig. Though the Shrek from the book was also green and ugly, the orange hair in the book got removed for the Shrek film to emphasize how inhuman Shrek is to everyone else and why he lives alone in a swamp. In fact, it took designers “over 50 different sculpts for Shrek before they decided on his final look” which was “ugly and appealing at the same time.” ![]() Instead of relying on mainly the character’s appearance from the 1990 picture book by William Steig that DreamWorks’ film is loosely based upon, other elements changed for the type of male lead character that the directors were going for. The creative team behind the film even researched “the original designs for all the fairy-tale creatures 1” to turn the “fairy-tale” on its head. In Shrek‘s case, it had a fairy-tale theme in CGI and not the recognized 2D and an ogre of all things play the lead. Made in 2001, Shrek was from the start a very anti-Disney film (no surprise since DreamWorks’ founder Jeffrey Katzenberg had left Disney). ![]() In the case of DreamWorks’ first financial success Shrek, it’s no different for the title character. Whether The Prince of Egypt or The Road to El Dorado, DreamWorks’ animated films tend to have male main characters. DreamWorks’ Shrek Image of Shrek from Shrek. and their separate choices of main characters: whether male, female, or animal (as seen here first in Mickey). Thus realism in main characters is crucial to animation studios like DreamWorks, Disney, and Warner Bros. But different animation studios have their own approaches towards giving characters a sense of real-world personality. Even in the cruder worlds of the early Mickey Mouse shorts, animation still has to have a character connect with the audience by giving them familiar actions and traits, regardless of the technology itself.ĭetails in their animation have continued being necessary then for a main character to win over an audience, the way an early character like Mickey won over his. Specifically the main characters are the focus of the animated world’s story. Yet at the same time, this created world needs structure for the characters that inhabit its space. The Use of Animation to Convey Character Traits Character sheet for Mickey Mouse.Īs a visual medium, animation’s top priority is to convey a world where characters exist within its own creation. ![]()
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